Paul Mantz, Jr. wrote: Point taken.
Very familiar with both films...
Stunt Pilot. Born Paul Albert Mantz in Alameda, California, the son of a school principal, he joined the Army Air Corps and was regarded a brilliant student pilot until he was discharged for reckless flying in 1927. After running an air charter service, he was enlisted as a stunt pilot for 1930's ‘Hell's Angels.'
Ah, of course - my apologies, with your heritage you know far more about this than I. Great video - the kind of thing I'm talking about can be seen at about 4:13 where the DVII does a really tight wingover/chandelle kind of thing, and again at 4:58 where 'Von Richthofen' flips his Fokker into a rapid half-roll.
I think the thing that, for me, Dogfight had got right in the past and is now slightly less good (only slightly, mind) is high manoeuvrability but relatively low power. The limiting factor for a lot of these aircraft was power. Of course, if you have unlimited power you can (assuming your aircraft holds together) zoom around the sky like an Extra 300 or an X-Wing for that matter, but with WW1 types, where you might have anything from 80hp (Sopwith Pup) to 200hp (later SE5A, Dolphin etc), it becomes an exercise in energy management. Sooner or later you run out of height and have to trade speed for altitude. That's one of the reasons I found Skies of Glory ultimately unsatisfying, as there is little your aircraft can't do.
The following is a little sneak peak from a piece I'm working on at the moment, which will be published probably in August. The following description is of a display by two pilots in Avro 504s - i.e. a trainer, not a scout or a fighter (although these are the Lynx-engined variety so they have around 160hp, a bit more than the WW1 variant would have, but the airframe was essentially the same):
'These two pilots did everything with their machines except make them talk. It was amazing to see what a ‘plane could stand. Evolutions which looked as though they must snap the machine in half were carried out again and again. The skill of these two pilots was almost uncanny; they seemed almost part of their ‘planes, and the ‘planes were nearly human in the way they responded to the controlling hand.'